The fantasy is usually distinguished from science fiction and horror at the prospect that clearly addresses issues of technology and macabre, respectively, although there is much overlap between the three (collectively known as speculative fiction).

In its broadest sense, fantasy covers work of many writers, artists, filmmakers, and musicians, myths and legends of ancient many recent works embraced by a wide audience today.

The features of identification of imagination are the inclusion of the fantastic elements in an arrangement of art of car-portrait-coherent ( internallyformed).In such a structure, any place of the fantastic element is possible: it can be hidden inside, or escape in the true apparent arrangement of the world, it can draw the characters in a world with such elements, or it can occur entirely in an arrangement of the world of imagination, where such elements form part of the world.

In a given work, the elements must not only obey of the rules, but for the piece of ground reasoned, must also contain limits to allow the heroes and the gangsters of the means of fighting; the magic elements must come with prices, or the history would become not structured.

American imagination, starting with the stories chosen by John W Campbell, Jr. for the unknown of store, is often characterized by internal logic. I.e., the events in the history are impossible, but follow laws of magic, and have an arrangement which is internally formed.

The kind of imagination does not include usually the stories of the children about the characters as frosted the snowman, nor it includes sexual imagination; the